Frederick Adler

Composer & Pianist

Frederick Adler

Composer & Pianist

El Deber del Poeta. This phrase of Pablo Neruda’s carries a profound meaning for me. “Deber” can be translated as role, and this is not incorrect, but to my mind Neruda’s primary meaning was duty. As a socially committed poet he felt that an artist was ethically obligated to witness his society and contribute to it.

As a musical creator who also has had a parallel career in medicine, I have been less conscious over the years of my duty as a musician in the way that Neruda refers to. In retrospect I see that it is central to my musical life.

In April we will premier in Morelia, Mexico a new work entitled, “Alturas de Macchu Picchu”. This is a work which has long been in progress but will come to fruition this spring. This long poem of Neruda’s encapsulates the Latin American experience over the centuries in a quite astonishing way. I have worked for over a decade to write music that can approach the theme adequately.

There are both personal and political aspects to my fascination with this work, although in a sense this hardly needs explaining given the importance of this poem. But for me as a musician grappling with this great text has given me the opportunity to integrate the political and artistic aspects of my personality, enriched by the Latin American side of my personal heritage.

Paterson exhibit rehearsal

Selected Works

2025 • Bassoon solo with strings and percussion
A chamber concerto for bassoon with strings and percussion written for Mary Carmen Vázquez Moreno and premiered in Morelia in June of 2025.
2022 • Alto soloist, female choir, clarinet, trumpet, and bassoon
A setting of the poem by Octavio Paz, for alto soloist and female choir accompanied by clarinet, trumpet and bassoon. Written in memory of my sister, Alejandra Rivero Haedo.
2005 • Violin, viola, and cello
Written in the early stages of my ongoing love affair with a city; Granada, Spain.
2017 • Clarinet, cello, and piano
A trio for clarinet, cello and piano in tribute to Book IV of “Paterson” a collaborative effort with Jonathan Sinagub, photographer and graphic artist.

Paterson

2008 • Piano and orchestra
A major work for piano and orchestra, inspired by William Carlos Williams’ epic poem, “Paterson”. Not a piano concerto but rather a rendition in music of “Paterson, the Man” (the piano) and “Paterson, the City” (the orchestra). This dialogue is key to the poem and the basis for my piece. This work has not yet been performed.
Oráculo performance

Media

Performance

Frederick Adler portrait

The concert was sponsored and coordinated by MAES (Fundación Mujer, Arte con Esperanza), a non-profit organization which supports women in music and the arts in the State of Michoacán. A very special mention to Mary Carmen Vázquez Moreno, founder and current President of MAES, who in addition to being a featured performer as bassoonist, was a key organizer of the event.

Concert of Recent Music by Frederick Adler

April 21, 2026

Sala Niños Cantores, Conservatorio de las Rosas

Morelia, Michoacán, México

This concert featured my new cantata, “Alturas de Macchu Picchu”, which is inspired by, and sets text from, the poem of the same name by Pablo Neruda. Jonathan Sinagub designed artwork which is also inspired by the poem. The venue is the main concert hall of the oldest conservatory of music in the Americas. The work is for soprano and baritone soloists with mixed choir, accompanied by an instrumental ensemble of flute, clarinet, bassoon, trumpet, marimba, piano, cello, and contrabass.
Featured performers for April 21, 2026 premiere of “Alturas de Macchu Picchu”

Tania Guadalupe Sánchez Bautista — soprano

Pablo César Reyes Ramírez — baritone

Guillermo Portillo Hofmann — flute

Mary Carmen Vázquez Moreno — bassoon

Valentina Mar Villegas Hernández — piano

Emilio Medina González — conductor of chorus and instrumentalists

The concert was sponsored and coordinated by MAES (Fundación Mujer, Arte con Esperanza), a non-profit organization which supports women in music and the arts in the State of Michoacán. A very special mention to Mary Carmen Vázquez Moreno, founder and current President of MAES, who in addition to being a featured performer as bassoonist, was a key organizer of the event.